SampleTron 2 For iPad Now Available

SampleTron 2 For iPad Now Available
[embedded content]

IK Multimedia has released SampleTron 2 for iPad, a new version of their virtual instrument that goes beyond emulating the Mellotron and other early sample-playback keyboards by letting you create ‘new vintage’ sounds, based on your own samples.

Sampletron 2 for Mac & Windows was released earlier this year. IK says that SampleTron 2 for iPad is ready for iOS 15 and compatible with all iPad model sizes and AU Host apps.

Here’s what they have to say about it:

“SampleTron 2 for iPad comes with a vast library of over 400 “tracks” that can be loaded into any preset—up to 3 at once—and then individually processed with IK’s cutting-edge tape modeling DSP for ultimate tone-shaping flexibility.

While an extensive collection of new, original samples of vintage Mellotron and Chamberlin are included, SampleTron 2 for iPad also shines where it processes non-Tron material. Here users will gain access to exciting new sounds with the choir, strings, brass, organ, piano, bass, and even synths and vocoders that all come included.

Also included are vintage digital sample-based instruments such as the Mattel Optigan, Vako Orchestron and 360 Systems Digital Keyboard for more creative options than any other Tron collection. In addition, users will find the full content of the much-revered original IK SampleTron product.”

Features:

  • 2.5GB virtual instrument collection of sought-after vintage and tape-based samplers
  • Over 400 tracks sampled from vintage Mellotrons, Chamberlins, Optigans and more
  • Each preset can load 3 tracks to split, layer and solo from over 400 available
  • Features 11 modern non-Tron and vintage digital sample-based instruments
  • Import Sample function creates user Tron sounds with IK’s tape modeling DSP
  • Includes the full content of IK’s original SampleTron updated for legacy users
  • 11 selectable effects with Channel Strip, Tape Echo, Multimod and new Vintage Plate
  • Assignable MIDI continuous controllers for use with external controllers
  • Works as an AUv3 instrument plug-in and as a standalone app

Pricing and Availability

SampleTron 2 for iPad is now available now with an intro price of $69.99 USD (normally $99.99).

chipSynth OPS7 Offers Bit Accurate Emulation Of Yamaha DX7, DX1 & DX5

chipSynth OPS7 Offers Bit Accurate Emulation Of Yamaha DX7, DX1 & DX5
[embedded content]

Plogue has introduced chipSynth OPS7 – a new software synth for Mac & Windows, based on the sound engine of the Yamaha DX7 and offering the the patch layering feature of the rare DX1 and DX5 synthesizers.

Plogue says that they’ve gone ‘all in’ on modeling the original’s sound:

“In terms of emulation, Plogue goes all-in: by exactly matching the digitally captured output of the original EGS and OPS chips, we’ve recreated every nugget of sound from the original keyboard.

This includes exact envelope stepping patterns that vary note-to-note, every facet of the convoluted pitch calculation, and absolutely identical operator math for each algorithm down to the bit.

The analog side of the original keyboards and modules is also recreated with lavish attention to detail: you want the unique crunchiness of the original DAC?

We got it down to its insane compander and the full analog filtering section.”

While Plogue has closely modeled OPS7 on the DX7 sound engine, they’ve also expanded on it in several ways:

  • Dual-layer system of the DX1 & DX5 for creating more complex sounds
  • Full effects section
  • “Game-changing dynamic patch editing system” that they say makes FM patch creation easier than ever
  • Full SysEx bank file support
  • Full hardware SysEx interfacing

Audio Demos:

If you want to know more about the emulation process, here’s behind-the-scenes look at the development of OPS7 from Plogue’s David Viens:

[embedded content]

Pricing and Availability

chipSynth OPS7 is available now for $49.95 USD.

Cherry Audio Mercury-4 Brings Back ‘Primal Poly’ Sound Of Roland Jupiter-4

Cherry Audio Mercury-4 Brings Back ‘Primal Poly’ Sound Of Roland Jupiter-4
[embedded content]

Cherry Audio has introduced Mercury-4, a new software synthesizer for Mac & Windows that’s inspired by the ‘primal poly’ sound of the Roland Jupiter-4.

Unlike the original design, though, Mercury-4 ups the polyphony to 16 voices, adds a built-in Space Echo style effect and comes with 400+ presets.

Here’s what they have to say about it:

“It’s the rarest and most sonically unique of the fabled Jupiter series, and we’ve gone to great lengths to recreate the subtle (and not-so-subtle) nuance and character of this beloved classic. Every aspect of Mercury-4 has been expertly modeled upon a vintage Jupiter-4 originally owned by Greg Hawkes of the legendary 80’s new wave band The Cars.

The Jupiter-4 had its share of disadvantages, including limited patch storage, just four voices of polyphony, and boat-anchor weight. Cherry Audio’s Mercury-4 improves upon the original’s design by offering 16-voice polyphony, infinite patch storage, velocity sensitivity, MPE support, and much more. We’ve even paired it with a fantastic model of the classic Roland Space Echo tape delay!”

Features:

  • “Authentically modeled” oscillator with sub-oscillator.
  • All filter characteristics modeled, including powerful low-frequency resonance.
  • Up to 16-voice polyphony.
  • Over 300 presets, programmed by industry veterans.
  • Unique arpeggio section w/tempo sync.
  • Wide-range LFO modulation with “inverted” mod characteristics.
  • Drift control for increased analog realism.
  • Stereo ensemble effect.
  • Tape echo style effect, with multiple reverb modes.
  • Tempo-syncable LFO.
  • Detunable unison mode.
  • Single-key chord memory mode.
  • Low CPU load.
  • One-click UI magnification.
  • MPE support.
  • Full MIDI control and DAW automation for all controls.

Pricing and Availability:

Mercury-4 is available now for Mac & Windows with an intro price of $39 USD (normally $59).

Arturia Intros SQ80 V, “Ensoniq’s Classic ‘80s Cross-Wave Synth Reborn”

Arturia Intros SQ80 V, “Ensoniq’s Classic ‘80s Cross-Wave Synth Reborn”
[embedded content]

Arturia has introduced SQ80 V, a new virtual instrument for Mac & Windows that’s based on the Ensoniq SQ-80 from 1988.

The original Ensoniq SQ-80 is a hybrid synth, with three digital wavetable oscillators per voice paired with an analog 4-pole filter. It also is one of the few classic synths to offer polyphonic aftertouch, a feature that lets you expressively control the sound of individual notes, after the initial key press.

Here’s the official video overview:

[embedded content]

With SQ80 V, Arturia has recreated the sound of the original using hardware modeling. But they’ve also expanded on the original’s design with a variety new features, including:

  • The arpeggiator – including arp direction, sync, octave range, and hold.
  • Unison – SQ80 V offers up to 16-voice polyphony – twice that of the original hardware instrument – plus ann 8-voice unison option for creating massive sounds.
  • Dispersion – subtle variations and inconsistencies in the behavior of its emulated circuitry that mean no two notes will ever be exactly the same,.
  • Envelopes expanded – Arturia included 2 additional envelope modes: DADSR and MSEG. The former adds a delay stage to the traditional ADSR for staggered strikes and interesting rhythmic patterns. The latter is a fully-customizable looping function generator.
  • The Mod Mixer – Combine any 2 modulation sources, from envelopes to keyboard controls, to distort, mangle, and refract your patches in interesting and unexpected ways. With 6 different modes of modulation mixing, the combination possibilities are enormous.
  • MPE compatibility – SQ80 V supports MPE-compatible controllers for advanced expression.

Features:

  • 3 digital oscillators based on the original DOC chip
  • Over 400 waveforms across 4 unique banks
  • Amplitude Modulation and Hard Sync
  • 4 analog DCAs; 1 for each oscillator, 1 master output
  • Analog resonant low-pass filter based on the original CEM chip
  • 4 polyphonic envelope generators with 3 modes; SQ80, DADSR, MSEG
  • 3 LFOs with 6 waveforms
  • 8 MIDI sources
  • Modulation mixer for combining 2 modulation sources
  • Built-in 7-mode arpeggiator
  • Up to 16-voice polyphony with Unison mode
  • 4 FX slots across 2 busses, configurable in series or parallel]
  • 15 master effect types
  • Advanced Brightness, Timbre, Time and Movement macro controls
  • 200+ factory presets, including 40 from the original SQ-80 instrument
  • MPE compatibility

Pricing and Availability

Arturia SQ80 V is available now with an intro price of $99 (normally $199).

Berna 3 Promises To Be Like Reason For Stockhausen

Berna 3 Promises To Be Like Reason For Stockhausen
[embedded content]

Developer Giorgio Sancristoforo shared this sneak preview of Berna 3, an updated version of his virtual recreation of a 1950s electronic music studio.

Berna is a standalone application, designed to let you explore a different way of making music, with the tools and limitations of the mid century electronic musician.

“Berna was my love letter to the RAI Studio di Fonologia Musicale, the electronic music studios of the national radio and television of Italy, founded in 1954 by the composers Bruno Maderna and Luciano Berio,” notes Sancristoforo.

“The Studio was directed by Berio and Maderna, first, then by Luigi Nono, and for me these three composers are the sacred trinity of the classic Italian avant-garde. I immensely love their work and their legacy,” he adds. “But behind the buttons and the mixer console, there was always the prototype of the modern sound engineer and producer: Marino Zuccheri, the technician in white coat that assisted the composers and very often created the sounds of the masterpieces of Italian electronic music. Zuccheri has been an immense inspiration for me, as a sound technician myself, and to his legacy I, once again, dedicate this new version of Berna.”

What’s New In Berna 3

Berna 3 pushes the early electronic music studio simulation further, with more realism and details, and a new set of devices.

  • Updated oscillators and filters are designed to have more ‘analog’ sound.
  • 9 different type of oscillators, each one has its own character. Some are cleaner, some are “dirtier” and fat.
  • New devices, including pulse generators, high precision low frequency high-pass/low-pass filters, a geiger counter and an X-Ray tube driven by a Rumkhorff coil and a simulation of the MESSGENERATOR MG60 used by Stockhausen for Studie II and Kontakte.
  • Updated interface – every oscillator, filter, amplifier, has its own window.
  • Each device has an ON/OFF switch, which not only is realistic, but helps to minimize unnecessary load on your computer.

Pricing and Availability

Sancristoforo say that Berna 3 is still in development, but is expected to enter beta testing next month. Once testing is complete, it will be available for macOS & Windows for 25€.

VCV Rack 2 Coming Soon, Here’s A Preview

VCV Rack 2 Coming Soon, Here’s A Preview
[embedded content]

Open-source virtual modular synthesizer VCV Rack is about to get a major update.

The developer shared this sneak preview for VCV Rack 2, the biggest update yet for the popular modular synth platform for Linux, macOS & Windows.

The update promises an updated user interface, a Dark Mode for ‘patching at night’, workflow improvements to streamline browsing for modules and patching, and a VST plugin version.

Pricing and Availability

VCV Rack 2 is scheduled for release in November, with additional details still to be announced.

Free Moog Model 15 Update Lets You Use It In Your DAW

Free Moog Model 15 Update Lets You Use It In Your DAW

Moog Music has released a free plugin that lets you use their Model 15 Modular Synthesizer virtual instrument in your macOS DAW.

Here’s what they have to say about it:

“Earlier this year, we released an update that makes it possible for Mac users running Big Sur to recreate the sounds and workflow of the classic hardware Model 15 modular synthesizer using a macOS device through Audio Unit v3, or as a standalone sound design tool. This macOS compatibility update allowed for seamless integration with Logic, GarageBand, and MainStage for use in studio and live performance environments.

Now, the Model 15 App can be used standalone, as an Audio Unit v3 plugin, Audio Unit v3 and v2 plugin, as a VST3 plugin, or as an effect in your existing audio chain.”

Using Model 15 in Ableton Live:

[embedded content]

Automation in Ableton Live:

[embedded content]

Pricing and Availability

Moog Model 15 for iOS is available for $29.99. You can download the plugin via the Moog site.

Roland TR-707, TR-727 Software Rhythm Composers Now Available

Roland TR-707, TR-727 Software Rhythm Composers Now Available

Roland today introduced the TR-707 and TR-727 Software Rhythm Composers, the latest in their Legendary series of software-based virtual instruments available via Roland Cloud.

The pair of virtual instruments use Roland’s Analog Circuit Behavior (ACB) technology, which models the behavior of the individual components of the original circuits.

Here’s what Roland has to say about the TR-707 and TR-727 Software Rhythm Composers:

“In 1985, Roland introduced the now-famous TR-707 and TR-727, the company’s first drum machines with all sounds based around PCM samples. The TR-707, with its orange livery, had the most advanced pattern sequencing capabilities to date and included 15 punchy drum sounds covering all the basics, from kick and snare to toms and cymbals. Its sibling, the blue-highlighted TR-727, was an all-out percussion powerhouse with 15 Latin-inspired sounds that could take any groove to new heights. Each unit was formidable on its own, but together they were unstoppable.

Taking their rightful places next to other classics in the Roland TR series, this dynamic duo of drums and percussion has appeared on hit tracks in many genres through the years, including synth-pop, acid house, industrial, electro, indie, alternative, and more. The software-based recreations reproduce their sound and behavior with 100-percent authenticity, coupled with modern upgrades that take them into all-new creative territory.

The playback engines in the TR-707 and TR-727 were primitive by today’s standards, with 25 kHz sample rates and 8-bit resolution (and even 6-bit for some tones). To optimize performance, Roland engineers used short PCM waveforms with decay introduced later in the analog circuitry. But this early hybrid approach had its limitations, with deviations in the digital clock and analog circuitry causing variances in the pitch and decay characteristics. This combination of factors strongly contributes to the charm of the TR-707 and TR-727 and their unique and pleasing lo-fi punch. To replicate these behaviors in software, Roland started with the original PCM wave data from the hardware. Next, ACB technology was used to recreate the interaction between the PCM engine and analog output stages, carefully including all its quirks and instabilities.

The software-based TR-707 and TR-727 also include many updated features inspired by popular aftermarket modifications. Users have deep levels of sound control unavailable with stock hardware units, including attack, decay, and tuning for individual sounds, the ability to overdrive the internal circuitry, and much more. Additionally, the sequencer features include numerous modern enhancements for infusing grooves with added detail and nuance.”

Pricing and Availability

The TR-707 and TR-727 Software Rhythm Composers are available to now from Roland Cloud for $149 each, and are also included with the Roland Cloud Ultimate membership.

Reason 12 Now Available

Reason 12 Now Available
[embedded content]

Reason Studios announced today the availability of Reason 12, a major update to the popular virtual studio for Mac & Windows.

Here’s what they have to say about it:

“A new look, a new instrument, and a whole new way of interacting with sounds, Reason 12 is all about leveling up the creative potential at the heart of your music-making experience.

Reason’s beloved Combinator has been completely refreshed for an expandable, customizable, and more powerful sound design playground. The brand new Mimic Creative Sampler approaches sample manipulation as a musical reimagining of audio samples that can be both inventive and even fun!

Bringing together the best audio technologies from Reason Studios’ history of groundbreaking DSP and sample-slicing. All new high resolution graphics bring the Reason Rack to life, with under the hood updates to tap in to modern video card performance.”

Here’s a summary of what’s new in Reason 12

  • Reason 12 focuses on improving the Rack experience. This includes making Reason high resolution. With version 12, you can zoom Reason to fit your set-up, and all 3rd party Rack Extensions will be ready for hi-res on day one.
  • Reason 12 also includes a brand new sampler. It’s designed to quickly explore and play back sounds in interesting ways—be that from your collection of samples, something recorded on the fly, or even an export of the very track you’re working on.
  • The Combinator in Reason 12 is overhauled to be fully customizable, more powerful, and easier than ever to work with. Create a custom interface with the controls you want laid out how you like, add images, set up expressive macro controls, change the panel size and more to make a patch your own.
  • To help you navigate new content, Reason 12 also features an improved Reason browser. Search is now faster and your search results are categorized to easily find what you want.

Pricing and Availability

Reason 12 is available now for $399. Upgrade pricing is also available. See the Reason Studios site for more info.

Steinberg Intros Absolute 5 Virtual Instrument Collection

Steinberg Intros Absolute 5 Virtual Instrument Collection
[embedded content]

Steinberg today introduced the immediate availability of Absolute 5, an updated version of their virtual instrument collection.

Absolute 5 features 28 VST and HALion instruments, offering more than 130 GB of sound content and over 7,500 presets.

New in Absolute 5 is the drum re-synthesizer Backbone , which re-synthesizes and decomposes samples into noise and tonal parts, making it a creative instruments for drum sound design. Also new to Absolute are the vintage keys of Amped Elektra, Electric Bass and the expansions Polarities for Padshop 2, Sounds of Soul for Retrologue 2 and Future Past Perfect for Groove Agent 5.

Absolute 5 includes a complete virtual studio of instruments, including sampler & workstation instruments, a dozen synths, virtual orchestra, cinematic instruments and more.

Feature Highlights:

  • More than 130 GB of instruments and 7,500 inspiring presets
  • First-class sample libraries for bass, choir, orchestra, and keys
  • New: Drum re-synthesizer Backbone
  • New: Vintage keys Amped Elektra
  • New: Electric Bass

Official Audio Demos:

Pricing and Availability

Absolute 5 is available now through the Steinberg Online Shop for 499 euros, including German
VAT, and 499.99 US dollars. Upgrade pricing is also available.